Clementine Book One — Content Guide for Parents
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Religious themes
PRESENTContains references to prayer and church attendance. A minister character plays a supporting role in two chapters.
About this book
Book Riot "12 Best Graphic Novels and Comics of 2022" List
IGN "Best Comic Book Series or Graphic Novel of 2022" Nominee
"Tillie Walden is the future. Her boldly authentic voice brings new heights to the world of The Walking Dead. I couldn't be more proud of what she's doing with this series." --Robert Kirkman (The Walking Dead, Invincible)
"CLEMENTINE is an arresting exploration of trauma, community, and hope, devastatingly rendered in Tillie Walden's signature style. A triumph of the zombie genre."--Shannon Watters (Lumberjanes)
"With CLEMENTINE, beloved cartoonist Tillie Walden blows open the WALKING DEAD universe with a story full of blossoming relationships in the shadow of wintery death. It's ominous and magical and will have you craving more when the final page turns." --Chip Zdarsky (Daredevil, Stillwater)
"CLEMENTINE brings its own distinct voice, style, and sensibility to the Walking Dead universe, which is quite a feat on its own. On top of that, it's an exquisitely drawn story about how to survive trauma and find strength in ourselves and others." --Kelly Sue DeConnick (Pretty Deadly, Captain Marvel)
"Walden's knack for character development and unique perspective result in a tale perfect for diehard fans of The Walking Dead, as well as newcomers."-Library Journal (starred review)
FROM THE WORLD OF ROBERT KIRKMAN'S THE WALKING DEAD...
…CLEMENTINE LIVES!
Clementine is back on the road, looking to put her traumatic past behind her and forge a new path all her own.
But when she comes across an Amish teenager named Amos with his head in the clouds, the unlikely pair journeys North to an abandoned ski resort in Vermont, where they meet up with a small group of teenagers attempting to build a new, walker-free settlement.
As friendship, rivalry, and romance begin to blossom amongst the group, the harsh winter soon reveals that the biggest threat to their survival...might be each other.
Frequently asked questions
Is Clementine Book One appropriate for a 7-year-old?
The book is set in a zombie apocalypse, featuring violence typical of the genre, including climactic battles and threats from zombies. However, the author emphasizes character development over violence. The book contains elements of horror typical of the zombie genre, described as mild zombie horror, focusing on emotional rather than graphic horror.
Does Clementine Book One have violence?
The book is set in a zombie apocalypse, featuring violence typical of the genre, including climactic battles and threats from zombies. However, the author emphasizes character development over violence.
Does Clementine Book One have scary content?
The book contains elements of horror typical of the zombie genre, described as mild zombie horror, focusing on emotional rather than graphic horror.
Does Clementine Book One have religious themes?
No religious content or themes detected in the narrative of the book.
Does Clementine Book One have racial/cultural content?
No explicit themes of race or racism detected in the narrative of the book.
Does Clementine Book One have profanity?
No profanity detected in the search results related to the book's content.
Does Clementine Book One have climate change?
No themes related to climate or environmental issues detected in the narrative of the book.
Does Clementine Book One have sexual identity?
There are depictions of physical intimacy between Clementine and her girlfriend, Ricca, suggesting a romantic relationship. The narrative includes themes of same-sex love.
Does Clementine Book One have gender roles?
No specific themes regarding traditional or modern gender roles detected in the narrative of the book.
Does Clementine Book One have lgbtq+ themes?
The narrative features Clementine as a queer teenager and includes her girlfriend, Ricca, emphasizing their relationship amidst a zombie apocalypse. The story is framed to focus on human relationships rather than solely on horror elements.
