ParentsPick

The Land of Stories Beyond the Kingdoms — Content Guide for Parents

By Chris ColferLittle Brown2015-11-17ISBN 9780316391078432 pages
The Land of Stories Beyond the Kingdoms

Themes present

Violence
Scary content
Religious themes
Profanity
Sexual identity
Gender roles
LGBTQ+ themes

Not found

Racial/cultural contentClimate change

Content themes

Factual summary of themes present in this book. No opinion — just the facts.

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Religious themes

PRESENT

Contains references to prayer and church attendance. A minister character plays a supporting role in two chapters.

About this book

Alex and Conner Bailey's world is about to change...Through the mysterious powers of a cherished book of stories, twins Alex and Connor leave their world behind and find themselves in a foreign land full of wonder and magic where they come face-to-face with the fairy tale characters they grew up reading about. But after a series of encounters with witches, wolves, goblins, and trolls alike, getting back home is going to be harder than they thought.

Frequently asked questions

  • Is The Land of Stories Beyond the Kingdoms appropriate for a 7-year-old?

    The book contains elements of violence, including grotesque descriptions and perilous situations involving the protagonists. It features a mix of slapstick and serious threats from villains, which may not be graphically described but are present throughout the story. The book features grotesque descriptions and potentially frightening elements, such as witches with rotting body parts and other dark imagery that could be unsettling for younger readers.

  • Does The Land of Stories Beyond the Kingdoms have violence?

    The book contains elements of violence, including grotesque descriptions and perilous situations involving the protagonists. It features a mix of slapstick and serious threats from villains, which may not be graphically described but are present throughout the story.

  • Does The Land of Stories Beyond the Kingdoms have scary content?

    The book features grotesque descriptions and potentially frightening elements, such as witches with rotting body parts and other dark imagery that could be unsettling for younger readers.

  • Does The Land of Stories Beyond the Kingdoms have religious themes?

    The narrative suggests that fairy tales serve a quasi-religious role, providing characters with something to believe in. Colfer's work includes themes that mock religion while elevating storytelling as a substitute for religious belief.

  • Does The Land of Stories Beyond the Kingdoms have racial/cultural content?

    There are no explicit themes of race or racism in the book's narrative. The focus is primarily on fairy tale elements and character adventures without addressing racial issues.

  • Does The Land of Stories Beyond the Kingdoms have profanity?

    The book includes mild profanity, such as instances of 'damn' and name-calling like 'jerk' and 'stupid.' This language is present but is not pervasive throughout the narrative.

  • Does The Land of Stories Beyond the Kingdoms have climate change?

    There are no themes related to climate activism or environmentalism present in the book. The focus remains on fantasy and adventure elements.

  • Does The Land of Stories Beyond the Kingdoms have sexual identity?

    There are instances of mild flirting and romantic tension between characters, including a mention of a 'passionate kiss.' However, the sexual content is not explicit and remains age-appropriate.

  • Does The Land of Stories Beyond the Kingdoms have gender roles?

    The series features strong female characters, and Colfer identifies as a feminist, suggesting a positive portrayal of gender roles. However, the narrative does not deeply engage with gender roles as a central theme.

  • Does The Land of Stories Beyond the Kingdoms have lgbtq+ themes?

    The book includes LGBTQ representation, which has led to a polarized reception among audiences. Some readers have expressed a desire for more visible LGBTQ characters within the narrative, indicating that the topic is present but may not be central to the plot.